Huawei, the world's third-largest smartphone maker, continued to gain on Apple in the first three months of the year, with an impressive 21.7 percent growth, according to market research firm IDC.
Huawei shipped an estimated 34.2 million smartphones worldwide in the first quarter, capturing 9.8 percent market share, based on data from IDC's Worldwide Quarterly Mobile Phone Tracker. That's up from an estimated 28.1 million smartphones it shipped in the year-ago quarter.
By comparison, Apple shipped an estimated 51.6 million iPhones in the quarter for 14.9 percent market share. Apple essentially saw no smartphone growth in the quarter as the market remains highly saturated, and due to seasonality factors as consumers anticipate a widely rumored trio of new iPhone models.
"We want to grow into top two market share, and, in the future, top one by 2021," Huawei's consumer head Richard Yu said in February.
Huawei's biggest problem is that it still lacks considerable brand awareness in the western world. In the United States, it does not even crack the list of the top ten most popular smartphone brands, largely because it lacks agreements with the country's biggest carriers Verizon, AT&T, T-Mobile, and Sprint.
American customers have to resort to retailers such as Best Buy or Walmart, or Huawei's direct sales website, to purchase one of their unlocked devices, reducing the brand's visibility in the country.
Huawei has yet to reveal any larger plans for the United States, but in Canada, the company will begin selling its flagship P10 and P10 Plus smartphones through nationwide carriers Rogers and Bell starting in early June. Huawei has also been pushing its brand in Canada during the 2017 Stanley Cup Playoffs.
If Huawei can find success in Canada, then perhaps it will consider tackling the much larger U.S. market next.
Apple is once again rumored to launch its own Venmo-like service, allowing iPhone users to pay friends and family members also on Apple's ecosystem. Sources speaking with Recode mentioned that Apple intends to announce the service -- which could have a name like "Apple Cash" -- later this year, potentially at its fall iPhone event.
Sources conflict on whether or not an announcement and release date have yet to be set, however, with another person familiar with Apple's plans suggesting that the company's Venmo-like service is still very early in development. Today's news of a potential ramp up of an in-house, peer-to-peer payments service from Apple comes over a year after the company was first rumored to be discussing such a service with a collection of U.S. banks.
Apple’s on-again, off-again flirtation with building its own money-transfer service appears to be back on.
The company has recently held discussions with payments industry partners about introducing its own Venmo competitor, according to multiple sources familiar with the talks. The service would allow iPhone owners to send money digitally to other iPhone owners, these people said.
The unnamed Apple payments service would include a major partnership with Visa, according to the sources, allowing users to obtain digital pre-paid cards that would run on Visa's debit network but be tied directly into Apple's peer-to-peer service, and could also be added into Apple Pay. In this way, users could get paid through so-called "Apple Cash" from a friend, and use the Visa card and Apple Pay to spend the money at a retail location or online, "without having to wait for it to clear to their bank account."
The peer-to-peer platform is being looked at as a way to boost Apple Pay adoption and usage, which Apple itself has admitted to be slow over its first two years, but which the company believes to be on the path to replace cash and cards. Apple is expected to not charge users of the new payments service, so the company's only profits from the platform would come from those who opt-in to use the Apple/Visa debit card, which some banks are concerned about.
The potential of Apple getting its own debit card, however, is not sitting well with some bank executives, sources told Recode. Some plan to raise their concerns with Visa next week during an annual summit that the credit card company is hosting for its bank partners.
“Banks spent heavily in insuring their cards were top of wallet when they all built and rolled out Apple Pay,” said Cherian Abraham, a digital payments executive at Experian. “So it’s justifiable to be concerned that Apple will have its own card and could potentially be top of wallet. If you are top of wallet, you are top of mind.”
There remain many questions in regards to Apple and Visa's potential partnership, including whether or not concerns from banks would scare Visa away, or if Apple would launch an enticing enough rewards program to convince people to ditch their current credit or debit card for the new one. To gain the most traction, sources believe that Apple could be targeting teens and young adults with the new service, because the pre-paid card would make it easy to spend the money sent to them from friends and parents through "Apple Cash."
In the wake of Jimmy Iovine detailing Apple Music's ongoing efforts to become "an overall movement in popular culture," today Sean Combs -- aka Puff Daddy -- announced that his new documentary Can't Stop, Won't Stop: A Bad Boy Story is coming exclusively to Apple Music on June 25 (via Billboard). The announcement comes after the documentary's premiere at the TriBeCa Film Festival yesterday.
Can't Stop, Won't Stop documents the rise of Combs and his record label throughout the 1990s, and extends to the process Combs went through when he put together the 20th anniversary Bad Boy reunion show tour in 2016. The partnership with Apple Music began when Iovine attended one of those shows.
"I went to the [Bad Boy Reuion] concert and thought it was incredible," Jimmy Iovine, Apple Music chairman and CEO, tells Billboard. "I think Puff and Bad Boy's story is incredible and one that a lot of people can relate to in any genre or in any business. His story is powerful. He really overcame a lot to get to where he's at today and the documentary shows that."
Apple Music is said to have exclusive rights to the documentary for at least one year. According to Combs himself, he feels "blessed" to be working with Apple to show the impact that the Bad Boys have had on fans throughout the years, including the death of Notorious B.I.G.
“I knew this was a story that should be shared with the world," Diddy said in a statement "Heather Parry and Live Nation Productions, and Director Daniel Kaufman, helped create this very special documentary. Now I'm blessed to also be working with Apple to showcase the film and share Bad Boy's history and impact with fans. The support Live Nation, Apple and everyone on the team has given to this project is a true testament to the Bad Boy legacy."
In his interview with Billboard today, Iovine detailed near-term plans for Apple Music that would focus on original video content with music-related themes, a category that Combs' Can't Stop, Won't Stop fits right into. Brad Paisley also just announced a "visual album" coming as a timed exclusive to Apple Music tomorrow, April 28. Further down the line, Apple Music subscribers will have access to a much wider variety of shows, which might even include content from J.J. Abrams.
At CES 2017 earlier this year, Chinese company Focalcrest debuted the Mixtile Hub, a supposedly MFi-certified smart home bridge that promised to bring HomeKit connectivity to various connected home products that would not otherwise be able to interface with Apple's smart home platform.
Specifically, Focalcrest said the Mixtile Hub would be able to interface with Z-Wave and ZigBee devices and sensors, as well as connect to various smart home devices through Bluetooth and Wi-Fi.
As it turns out, however, the Mixtile Hub won't support HomeKit after all. At some point between CES and now, Focalcrest removed any mention of HomeKit from its press release—see the original for comparison—and the company now plans to launch the Mixtile Hub with Amazon Alexa support only.
In a recent email to MacRumors forum member Macwick, shared with us, Focalcrest vaguely said it believes Apple "doesn't permit bridge products to compatible with different brand devices," which isn't entirely true.
In the past few months, we kept to contact Apple for approval the HomeKit related designs. But this stage really takes a bit long and till now we still don't get a positive reply from Apple.
From our communication with Apple, we feel that they don't permit bridge products to compatible with different brand devices upon some uncertain reasons, as you know, our Mixtile Hub is a bridge product too.
The Philips Hue bridge does support both HomeKit and ZigBee, but that's just for one product, whereas the Mixtile Hub would have essentially made any Z-Wave or ZigBee product compatible with HomeKit. It wouldn't be surprising if Apple refused to certify the Mixtile Hub due to security concerns.
While it's unsurprising that Apple isn't backing the Mixtile Hub, it's disappointing that Focalcrest so prominently advertised HomeKit support prior to receiving certification for the product. Focalcrest admitted that it's uncertain if its "redefined" Mixtile Hub will still be attractive to homeowners.
Jimmy Iovine, one of the heads of Apple Music, has given multiple interviews and visions for the future of Apple's streaming music service over the past few months, mainly detailing how Apple Music will morph into "an entire pop cultural experience" with the advent of original video content. In an interview with Bloomberg posted online today, Iovine continued that pitch by stating, "I’m trying to help Apple Music be an overall movement in popular culture," detailing plans that include original shows and videos with partners like director J.J. Abrams and rapper R. Kelly.
The expansion of Apple Music beyond streaming new songs and music videos by artists began slowly for Apple, with the company releasing a tour documentary in partnership with Taylor Swift in 2015, as well as a 23-minute short film with Drake in 2016. Those modest beginnings have helped Apple learn what works and what doesn't, with Iovine stating, "We’re gonna grow slowly no matter what, I don’t know how to do it fast."
Iovine further mentioned that Apple's vast resources provide the Apple Music team with enough room for betting on risky projects, so the service can "make one show, three shows" to see what viewers favor.
“A music service needs to be more than a bunch of songs and a few playlists,” says Iovine, 64. “I’m trying to help Apple Music be an overall movement in popular culture, everything from unsigned bands to video. We have a lot of plans.”
Apple Music’s foray into video programming could be a temporary dalliance, but if Iovine succeeds, the world’s wealthiest company could increase its investment, routinely competing for top projects. “We have the freedom, because it’s Apple, to make one show, three shows, see what works, see what doesn’t work until it feels good,” Iovine says.
Those slow-to-build plans apparently include a largely redesigned, "new edition" of the Apple Music app coming to iOS 11 this fall that will "better showcase video." Because of this update, Iovine said that Apple won't make the same mistakes that rival Spotify has made in producing original video content, but subsequently not promoting it enough to get people to watch. "We’re going to market it like it’s a TV show," Iovine mentioned. "You’re going to know this is out."
Currently, those shows include Carpool Karaoke: The Series and Planet of the Apps, although the former show was recently delayed indefinitely and the latter has only a vague spring launch date. In the immediate future, Iovine said that Apple Music's video ambitions are still very music-related, including Dr. Dre's Vital Signs, and Iovine even wants to produce a sequel to R. Kelly's rap opera Trapped in the Closet.
“For a music streaming service,” Iovine says, “we’re building a very decent slate.”
According to Carpool Karaoke producer Ben Winston, who helped sign the agreement to partner with Apple along with star James Corden, the mere fact that Apple is involved with producing these new shows is all it takes to get people excited to work with them. "If I call LeBron James and I name five networks or cable channels or even different online platforms, I’m not convinced he agrees to sit in a car," Winston says. "If you say you’re doing a new show for Apple, people get excited."
But the company's plans are far bigger than just original content that has a music slant, with Iovine having met with well-known Hollywood creatives to discuss "possible ideas," including director J.J. Abrams and producer Brian Grazer, although talks with Grazer regarding Imagine Entertainment are said to have "fizzled out" for unknown reasons. Of course, any specific details regarding what a J.J. Abrams-produced series on Apple Music might be were not given.
Previous reports of Apple's dealings in Hollywood have been largely critical of the Cupertino company's inability to forge ahead with a consistent, unified vision in the original content space. For Iovine, the almost-two-year-old service still has a ways to go. "Apple Music is nowhere near complete in my head," he said. Achieving his vision for the future of Apple Music has gotten Iovine in hot water with some of his colleagues, as well.
Some ideas get Iovine into trouble. He’s taken meetings with artists and made arrangements to release music without telling anyone in advance, frustrating colleagues. He’s persuaded artists to release music exclusively with Apple, frustrating record labels. But no one doubts his knack for bringing people together.
Everyone from Apple CEO Tim Cook to Apple Music executive Bozoma Saint John have reinforced Apple's future with original content coming to its music streaming service. Earlier this year during an earnings call, Cook said that Apple is starting off slow -- echoing Iovine's comment -- and has a "toe in the water" testing original content, while Saint John said of Apple Music as a whole: "We're developing something very special and we just want people to pay attention."
Spotify has announced its acquisition of blockchain technology company Mediachain Labs to help it reward online content owners with royalty payments.
The news, first reported by VentureBeat on Wednesday, was relayed via a Spotify press release which has since been removed from its website, explaining that the purchase of the New York-based startup was aimed at facilitating Spotify's "journey toward a more fair, transparent and rewarding music industry for creators and rights owners".
Mediachain is responsible for the creation of an open source peer-to-peer database and protocol for registering, identifying, and tracking creative works online. The blockchain component aims to help creators and rights holders prove they are the owner of a piece of work and receive due payment.
Spotify has faced legal trouble in the past over its failure to pay artists and publishers, which is said to be down to difficulties it has had in working out who to pay, a problem which relates especially to smaller artists and labels.
Last month, Spotify reached a $30 million settlement with a publishing group over unpaid royalties and agreed to put in place a system that guaranteed a "reasonable effort" would be made to match all music streams with creators and rights owners.
Spotify recently passed 50 million paid subscribers. The Mediachain acquisition deal – the terms of which were not disclosed – appears to be part of the company's plan to gain wider support from the creative community as it gears up to become an initial public offering on the stock market sometime next year.
Danish high-end audio outfit B&O Play unveiled its latest Bluetooth speaker today. The Beoplay P2 features a grilled aluminum and leather design similar to the company's impressive $250 Beoplay A1 speaker, which we reviewed last year, but otherwise there are some notable differences.
First of all, the P2 is cheaper at $169, and it comes in a smaller housing than the A1, which the company hopes makes this a device "you don't want to leave your home without". The other big change is that apart from a power button hidden on the back, the P2 doesn't have any physical controls to speak of.
Instead of using buttons, users change the volume, and play, pause, and skip tracks via a series of taps and gestures that can be customized using the accompanying Beoplay mobile app.
The P2 shares the same tweeter at the A1 unit, but B&O Play says it has redesigned the A1's mid-woofer using an anodized aluminum cone structure to house it in a smaller chassis without compromising on bass performance.
Elsewhere, the P2 also has a microphone to take calls, a USB-C cable for charging, up to 10 hours' battery life, and splash resistance.
The Beoplay P2 can be had in black, sandstone, and royal blue colors, and is available today on the B&O Play website.
Another alleged iPhone 8 schematic is making the rounds today, shared on Twitter by several "leakers" who often share alleged leaked device images sourced from Weibo and unnamed tipsters. KK Leaks, OnLeaks, and Benjamin Geskin have all tweeted the image, which comes from an unknown source.
It is not clear if the schematic is legitimate, and we're at the point in the rumor cycle where it's difficult to separate what's real from what's fake, so it's best to view all current leaks with some skepticism.
The schematic appears to depict the interior of the OLED iPhone 8, and it matches many previously-leaked design schematics and rumors. The device pictured features a vertical dual-lens rear camera with an LED flash in the middle, and it includes a large circular area, perhaps for some kind of wireless charging functionality. No rear Touch ID button is included in the schematic.
Over the course of the last few weeks, we've seen several alleged design schematics and renderings that are said to represent the iPhone 8, but because Apple is said to be testing multiple prototypes, we appear to be seeing two distinct devices, and it's not clear which one represents Apple's final 2017 iPhone.
One device, which seems to be similar to the device in the schematic above, features an edge-to-edge display with a small 4mm bezel, what appears to be a glass body (perhaps with a stainless steel frame), and a Touch ID Home button that appears to be embedded in the display, while the other features an edge-to-edge display with slightly wider top and bottom bezels, an aluminum body, and a Touch ID Home button located on the rear of the device.
Both are said to be representative of different designs Apple has pursued, and Apple is reportedly experimenting with a rear Touch ID button due to difficulties implementing it under the display. It's not yet known if a Touch ID button under the display will pan out.
While we're seeing different designs at the current time, there are several rumors that are consistent. The OLED iPhone is said to be similar in size to the 4.7-inch iPhone but with a display closer in size to that of the 5.5-inch iPhone, and almost all current rumors point towards a vertical dual-lens camera for improved images and perhaps some kind of augmented reality or 3D functionality.
Not much has been said about wireless charging recently, but Apple is supposedly implementing some kind of inductive charging solution, and we can count on an improved A11 processor in the device.
Apple plans to sell the OLED iPhone alongside two standard iPhones with LCD displays, which are said to be similar in size to the existing iPhone 7 and iPhone 7 Plus. With many of the rumors focusing on the flagship OLED iPhone, not much is known about the other two iPhones and their specific design also remains unclear.
Recent rumors are suggesting the OLED iPhone may be severely constrained when it launches in September, so it could be difficult to get for several months. That's a common rumor that we hear every year ahead of the debut of a new iPhone, but the rumors, coming from trusted sources, are especially emphatic and dire this year, suggesting there's some truth there.
Amazon today announced the expansion of its popular Echo line with the $200 Amazon Echo Look, a device that packs in all of the typical Echo functionalities and adds on a hands-free camera with built-in LED lighting that can give users an edge on their wardrobe choices. With Echo Look, users can take full-body photos and videos using their voice, and view the content on the connected Amazon iOS and Android apps.
Thanks to the Echo Look's depth-sensing camera, users' outfits pop in the foreground while the background is blurred, making it easier to see what they're wearing. Photos can be saved to an ongoing "look book" that will log what users wear every day so as to not duplicate outfits, and the pics can be shared easily on social networks or through texts. Taking a video allows users to quickly replay the clip on their phone so they can see their outfit from every angle in the moment, making it easier to decide on what to wear.
With Echo Look, you can take full-length photos of your daily look using just your voice. The built-in LED lighting and depth-sensing camera let you blur the background to make your outfits pop, giving you clean, shareable photos.
Get a live view in the Echo Look app or ask Alexa to take a short video so you can see yourself from every angle. View recommendations based on your daily look and use Style Check for a second opinion on what looks best. And, because Alexa is built in the cloud, she’s always getting smarter—and so will Echo Look.
Echo Look also comes equipped with a machine learning feature called Style Check, allowing users to take two pictures of two separate outfits and compare the two in order to make the best choice. Combined with advice from fashion specialists, Style Check gives users a percentage bar of what outfit works better in the moment, and what fits better on each individual user.
Otherwise, Echo Look functions like any other Echo device. Users can set alarms, listen to the news and audiobooks, get traffic alerts, control their smart home devices, check the weather, and more. With the launch of Echo Look, Amazon now sells the Echo in three iterations: the traditional Echo ($179.99), the Echo Dot ($49.99), and the new Echo Look ($199.99). An official release date for the Echo Look has not yet been announced, but users interested can sign up for an invitation on the device's Amazon page.
Uber today announced that passenger ratings will be displayed more prominently within its iPhone and iPad app.
Now, a rider's rating will be displayed right under their name in the app's menu that slides out from the left. Previously, riders had to visit an unadvertised Uber support document and sign into their account to view their score, likely resulting in some riders not even knowing the feature existed.
While most Uber users are likely familiar with rating drivers on a five-star scale after a trip, drivers can also rate passengers. If a rider eats in the car without permission, slams the door, or tries to pile in more people than seat belts, for example, a driver could give that passenger a low rating.
By making these rider ratings more visible, Uber hopes it will remind riders that "mutual respect is an important part" of its Community Guidelines.
Ratings are always reported as averages, and neither riders nor drivers will see the individual rating left for a particular trip.
Uber for iPhone and iPad [Direct Link] was updated earlier this week, but the rider rating change still appears to be in the process of rolling out.
Twitter is gearing up to launch an always-on, live-streaming video section of its apps and desktop site, which would run 24/7 and is ostensibly referred to as "Twitter TV" (via BuzzFeed News). The news comes from Twitter COO and CFO Anthony Noto, who said the 24/7 video update would be an expansion of Twitter's current live video efforts, which in the past have covered big events like the Presidential inauguration and pre- and post-shows for the 2017 Oscars.
Live video has become such a pillar of success and growth for the social network that it's helped Twitter gain access to advertisements in the 15-to-30 second range, for which advertisers "typically write big checks to TV networks." A beefier lineup of live videos on an always-on network could boost Twitter's profits even higher, although Noto noted that the launch of such a service will still take some time.
Specific type of content beyond news, sports, and entertainment reporting -- like scripted shows -- was not revealed, although it appears the company intends to strictly focus on current events coverage. Noto did mention that the company is "working on many, many things," however.
“We will definitely have 24/7 [video] content on Twitter,” Noto said during an extensive interview about the company’s live video strategy last week. “Our goal is to be a dependable place so that when you want to see what’s happening, you think of going to Twitter.”
Twitter will take some time to reach its 24/7 programming goal, Noto said, without offering a timetable. But he indicated much more programming in the works. “We’re working on many, many things,” Noto said. “There’s a lot in the pipeline.”
Ultimately, Noto is hoping that Twitter's 24/7 live video service could become a network that has a mix of "of ultra-premium content and not-so-ultra-premium content," meaning that viewers can tune in for shows they're interested in, and then use Twitter TV as background noise for the rest of the day.
Jeremy Liew of venture capital firm Lightspeed Venture Partners referred to this type of content as "ambient digital video," and said Twitter could very well fill a gap left over by premium services like Netflix and HBO, which are always seeking full viewer attention.
From Twitter’s perspective, becoming a source of always-on-in-the-background video in the way that CNBC is in airports would be a great outcome. “We think that is a great way to have the programming carried along with you during your day,” Noto said. “Focus in on it when you hear something that’s of interest, but then maybe not be 100% focused on it when it’s not of interest. I did that myself during the debates.”
Closer to debut is said to be a handful of new shows that Twitter will introduce as a means to boost advertising revenue in the near-term. The company is said to be pitching advertisers to spend money on its video content as soon as next week, but Noto didn't mention what kind of shows and videos are incoming. Likely candidates will be sports-related shows compared to SportsCenter on ESPN, with Twitter still reeling from the loss of the chance to stream NFL games over the course of the 2017-2018 season to streaming video rival Amazon.
The Twitter TV news comes alongside Twitter's better-than-expected first quarter earnings report, in which it generated $548 million in revenue with earnings of 11 cents per share, besting predictions that the company would net around $511 million in revenue with earnings of one cent per share. The number is still a noticeable decline from the $595 million earnings in the year-ago quarter. Twitter also introduced 9 million new users in the quarter, raising its monthly active users to 328 million.
The most notable change is that users can now send images within Direct Messages, in line with official Twitter platforms. Clicking on the new camera button to the left of the message field within a Direct Message brings up a Finder window for selecting images, which are displayed in-line within the conversation.
Meanwhile, when replying to a Tweet, the usernames of the people you are replying to no longer count against Twitter's 140-character limit. Tweetbot still provides the option to do a "classic" reply, where usernames are included within the Tweet, by holding down the Control key while clicking the Reply button.
The app's developer Tapbots has also fixed an issue where a fullscreen Tweetbot window may not have resized when a Mac's screen resolution changed, fixed a potential crasher when viewing collections for a user that had a large number of collections, and fixed an image-related issue in tweet detail view.
Tweetbot for Mac version 2.5 is a free update on the Mac App Store [Direct Link] for existing users. The app initially costs $9.99.
Netflix has signed a licensing deal with a Beijing-based video platform in order to avoid regulatory restrictions and get its content into China's huge entertainment market (via The Hollywood Reporter).
The streaming giant announced the news of its content agreement with iQiyi on Tuesday at the APOS industry conference in Bali, Indonesia.
"China is an important market for obvious reasons; it's also a challenging market for obvious reasons," said Robert Roy, Netflix's vice president of content acquisition. "Right now what we will do is look to license content into China. We closed a deal with iQiyi, which is exciting."
"For us, it does a couple of things," Roy added. "It gets our content distribution into the territory and builds awareness of the Netflix brand and Netflix content."
A subsidiary of Chinese giant Baidu, iQiyi is currently switching from an advertising-supported streaming service to a subscription model in the same vein as Netflix. The subsidiary reportedly commands the largest customer base and content portfolio in China, however it has been looking to broaden its appeal as rivals like Tencent Video and Youku Tudou compete for viewers in the country's market.
It is understood that Netflix will make some of its upcoming original content available on iQiyi at the same time as it appears in other Netflix-serving countries, but further details on which shows would be included in the deal were not forthcoming.
Both Amazon and Netflix have been unable to enter China's market because of regulatory hurdles, although Netflix's House of Cards briefly achieved viral status in China thanks to a deal with local service Sohu. The show was apparently even known to Chinese president Xi Jinping, but it was later withdrawn from local streaming services by regulators.
The company behind Mac and iOS journaling app Day One this week began offering U.S. users the chance to create printed, bound books using the content of their digital journals.
Day One Books can be designed from within the Day One iPad and iPhone app, with options to customize the cover, and include maps, stats, and full-color photos in the content.
The journals can have a flexible amount of pages (up to 400 max) and are printed on "high-quality paper" with a "coating material", according to Day One, although no other details on the specific stock are given.
The journals can be purchased through the iOS apps using Apple Pay, and prices for the journals start at $14.99 for 50 pages, rising to $49.99 for 400 pages, with the option of a hard cover for an extra $5.
The company says all digital files are "securely transferred" to the printing facility and printing is automated without any manual handling of the files, after which the digital files used are automatically deleted.
Day One Books ship to their destination within 7-12 business days after ordering within the app, and tracking codes are not provided. Day One is also promising support for international orders in the future.
A full pricing breakdown for Day One Book options can be found here.
Day One is a $4.99 app on the iOS App Store and costs $39.99 on the Mac App Store.
Google yesterday announced a feature to help Google Maps users remember where they're leaving their car once they've arrived at their destination.
The feature is simple enough to activate once you've parked up, and like Apple Maps, if you have your iPhone connected to your car via USB audio or Bluetooth, Google Maps will automatically tag your vehicle's location on the map when you disconnect it.
If your iPhone isn't connected to your car, you'll have to do this manually: Open up the app, tap the blue location dot and then select "Set as parking location" to add it to the map.
Tapping on the parking icon that remains on the map also opens the parking card, which includes options to share the location with friends and view pictures of the parking area.
Verizon today announced the launch of a new unlimited data plan for its prepaid customers, which offers unlimited data, talk, and text across the United States for $80.
The plan includes unlimited text messages to more than 200 countries, along with unlimited talk in Mexico and Canada. Video streaming, is, however, limited to 480p, and no tethering is included. Verizon also says it "may prioritize your data behind other customers during times/places of network congestion."
"In just months, Verizon has transformed its prepaid offerings to make it easier and more affordable for customers to get access to the best network at a great value, no matter how much data they need," said Tami Erwin, executive vice president of operations for Verizon. "This plan is all about giving our prepaid customers more choice. With data plans from as little as 2 GB to unlimited data, we've got a plan that fits your needs."
Verizon's prepaid plans include no long-term contract and no credit check. Verizon also offers 2GB, 5GB, and 10GB data plans for unlimited customers, along with a $30 basic phone plan with unlimited talk and text.
The introduction of the new unlimited prepaid data plan comes just over two months after Verizon unveiled its postpaid unlimited data plan to compete with unlimited data offerings from AT&T and T-Mobile. Verizon's unlimited plan offers unlimited talk, text, LTE data, and 10GB of tethering data for $80 per month.
Apple product designer and Siri co-founder Tom Gruber gave a TED Talk today, where he covered his vision of the future of computers and artificial intelligence. Both Axios and Business Insider shared details on his talk.
According to Gruber, computers should be used to lessen human failings, like memory, and augment human capabilities. He believes computers should log every aspect of our lives, allowing us to remember every person we've met and every aspect about them, like favorite sports, family members, and name pronunciation.
"I believe AI will make personal memory enhancement a reality. I think it's inevitable," he said onstage, adding that he doesn't know when or how it will happen. [...]
Gruber imagines that this kind of technology will not only be useful for satisfying data geeks who want to optimize their health and happiness, but it could also assist those who suffer from diseases like dementia and schizophrenia. "It's the difference between a life of isolation and one of dignity and connection," he said.
Privacy, is of course, a key part of artificial intelligence and future computing capabilities. "We get to choose what is and is not recalled," said Gruber. "It's absolutely essential that this be kept very secure."
Apple has already taken the first steps towards linking artificial intelligence and memory, with its Photos app. Photos on Mac and iOS devices includes a "Memories" feature that intelligently organizes photos into dynamic events that can be relived through the app. It also incorporates facial recognition and deep levels of privacy - facial recognition features are not cross-device and do not sync over iCloud.
Gruber also highlighted other useful applications for artificial intelligence, like cancer detection and more advanced personal assistants like Siri.
Facebook product manager Sara Su today shared a blog post that highlights a test launching on the company's iOS and Android apps, consisting of an update to the "Related Articles" feature found beneath posts shared by your friends and family.
For users included in the update, Related Articles will now highlight differing perspectives from separate publications on the same subject mentioned in the parent article, namely "including articles by third-party fact-checkers."
This marks Facebook's newest leg in its anti-"Fake News" quest, which it began earlier in April by educating its users on the subject with a "tips for spotting false news" gateway that sat atop the Facebook app for a few days. With today's launch of the Related Articles test, Su mentioned that Facebook users will now have more tools at their disposal to see a "complete picture of a story or topic" before they even click on the original story.
One of our main goals is to support an informed community on Facebook. This includes helping people have conversations about the news and giving people more ways to see a more complete picture of a story or topic.
Today, we’re beginning to test Related Articles that might appear before you read an article shared in News Feed. These additional articles, which appear for topics many people are talking about on Facebook, will appear in a unit below the link. That should provide people easier access to additional perspectives and information, including articles by third-party fact-checkers.
The Related Articles test is "one of many tests" that Facebook is working on to improve the service's reputation with rampant fake news sharing, an issue that has been on the rise since before the U.S. presidential election last year. When Facebook launched the educational tool for spotting false news, Google also debuted a "Fact Check" label in search results for all countries.
The problem reached such heights earlier this year that Apple CEO Tim Cook called it "one of today's chief problems," while Eddy Cue said that Apple itself is "trying to do some things in Apple News" that would address fake news directly.
Note: Due to the political nature of the discussion regarding this topic, the discussion thread is located in our Politics, Religion, Social Issues forum. All forum members and site visitors are welcome to read and follow the thread, but posting is limited to forum members with at least 100 posts.
Spotify has announced its acquisition of blockchain technology company Mediachain Labs to help it reward online content owners with royalty payments.
Facebook product manager Sara Su today shared a 
