MacRumors

Apple's long-awaited AirPower wireless charging mat and a new version of AirPods with wireless charging support and upgraded Bluetooth connectivity will start shipping in the first half of 2019, according to analyst Ming-Chi Kuo.

Kuo also expects a new iPod touch with a faster processor to launch in 2019.

While there's been a flurry of recent rumors about the ‌AirPower‌ and 2nd generation AirPods, there have also been conflicting reports on the possible launch dates for the two products. One recent report specifically placed the launch of the new AirPods in the fall of 2019. We were skeptical about that report at the time, and now Kuo gives another reason to believe that the new AirPods and ‌AirPower‌ will be shipping in the first half of this year.

In a thorough research note outlining Apple's plans for 2019, analyst Ming-Chi Kuo describes his outlook for the next iPad lineup. According to Kuo, Apple plans to release two new iPad Pro models, a 10.2-inch ‌iPad‌, and a refreshed iPad mini, each equipped with an upgraded processor, later this year.

Rumors of a refreshed ‌iPad mini‌ ("‌iPad mini‌ 5") have been consistent over the past few months. Apple in January registered seven new iPad models with the Eurasian Economic Commission, and at least some of these are believed to be the ‌iPad mini‌. The others may be a new version of the low-cost 9.7-inch ‌iPad‌.

According to Kuo, the 9.7-inch iPad will be bumped up to 10.2 inches in 2019. No other details on the "two new ‌iPad‌ Pros" are given, but a release would likely be later in 2019 given their relatively recent updates.

In a thorough research note outlining Apple's plans for 2019, analyst Ming-Chi Kuo describes his outlook for the next iPhone lineup. According to Kuo, the 2019 ‌iPhone‌ lineup will mirror that of the current lineup, including 6.5-inch and 5.8-inch OLED models as well as a 6.1-inch LCD model.

As for changes to expect in 2019, Kuo says the ‌iPhone‌ XR successor may be upgraded to 4GB of RAM, while all models will include frosted glass casing, larger batteries, the ability to wirelessly charge other devices, and new technology for indoor positioning and navigation.

The new 5.8" OLED may support DSDS, and the new 6.1" LCD may be upgraded to 4GB. All of part of the new models’ main upgrades include Ultra-Wide Band (UWB) for indoor positioning and navigation, frosted glass casing, bilateral wireless charging for charging other devices, upgraded Face ID (with a higher power flood illumination), larger batteries, and triple camera feature (wide, telephoto, and ultra-wide lens).

Kuo also says all three models will include Lightning connectors rather than USB-C and have the same notch area as current models, contradicting other rumors of smaller notches.

Apple will release a 31.6-inch 6K display with a Mini LED-like backlight design in 2019, according to Apple analyst Ming-Chi Kuo, who detailed his expectations for Apple's 2019 roadmap in a research note obtained by MacRumors.

Apple left the display market back in 2016 with the discontinuation of the outdated Thunderbolt Display. Apple did, however, say they were working on a new screen alongside the new Mac Pro. Apple's Phil Schiller said in 2017:

With regards to the Mac Pro, we are in the process of what we call "completely rethinking the Mac Pro." We’re working on it. We have a team working hard on it right now, and we want to architect it so that we can keep it fresh with regular improvements, and we’re committed to making it our highest-end, high-throughput desktop system, designed for our demanding pro customers.

As part of doing a new Mac Pro — it is, by definition, a modular system — we will be doing a pro display as well. Now you won’t see any of those products this year; we’re in the process of that. We think it’s really important to create something great for our pro customers who want a Mac Pro modular system, and that’ll take longer than this year to do.

Kuo describes the new monitor as a "6k3k" display.

Apple will release a new MacBook Pro with a 16-inch to 16.5-inch display and an all-new design in 2019, according to Apple analyst Ming-Chi Kuo.

Tonight, analyst ‌Ming-Chi Kuo‌ released a research note looking at Apple's releases in 2019. MacRumors has obtained a copy of the report and perhaps the most exciting prediction for Mac users is the revelation that Apple is working on a 16"-16.5" ‌MacBook Pro‌. Unfortunately the report provides few details beyond that it is an "all-new" design, suggesting Apple is revamping their current ‌MacBook Pro‌ design.

A 16"-16.5" screen would be the largest screen Apple has provided on a ‌MacBook Pro‌ since the discontinuation of the 17" MacBook Pro in 2012. Close followers of Apple's ‌MacBook Pro‌ refresh cycle have been expecting Apple to continue with the current design until at least 2020. The ‌MacBook Pro‌ last saw a redesign only two and half years ago.

Kuo also says Apple may add a 32GB RAM option to the 13-inch ‌MacBook Pro‌, without providing further details.

More Predictions from Kuo:

- AirPower and New AirPods Said to Ship in First Half of 2019, New iPod Touch With Faster Processor Also Expected
- Two New iPad Pro Models, 10.2-Inch iPad, and iPad Mini 5 Said to Launch in 2019
- 2019 iPhones Can Wirelessly Charge Other Devices, Feature Frosted Glass and Larger Batteries, and More
- Apple Said to Release 31.6-Inch 6K Display With Mini LED-Like Backlight Design in 2019

CNBC reports that Apple has hired ex-Microsoft exec and former CEO of a smart lock company to revamp Apple's home initiatives.

Hiring Jadallah is the latest signal that Apple plans to get serious about its own efforts in the home. Recently, the company acquired a start-up called Pullstring, a start-up that specializes in voice-enabled toys. That purchase could help the smartphone maker become the center of a connected living room.

Apple has been making movement into the home space for years, with the introduction of HomeKit as well as the HomePod which is powered by Siri. ‌HomePod‌, however, has lagged behind its competitors despite making steady improvements. Apple's latest hire as well as recent acquisition of a voice technology company seems to indicate that they are refocusing their efforts.

Sam Jadallah's Linkedin page

With Bluetooth and Wi-Fi radios packed inside the surprisingly compact design, Otto promises to let you or anyone you choose inside with just a touch whenever it senses an authorized phone within range.

That company ultimately failed, but it appears that Jadallah will be applying that knowledge forward at Apple.

Apple is today sending out notifications to Apple Music subscribers that, when tapped, allows them to send a referral to friend to sign up for a free one-month subscription to ‌Apple Music‌.

According to Apple, the referrals for a free month of service can only be sent to people who do not already subscribe to ‌Apple Music‌.

The person who signs up for the free trial will see their subscription renew after a month, or one month after the standard free trial.

That means people who have not used ‌Apple Music‌ before can get a total of four months of service for free, because Apple already offers a three month free trial for everyone.

Those who have already used a three month trial and then canceled may be able to get an additional month through this referral link.

Not all ‌Apple Music‌ users appear to be getting these notifications at this time, but we've seen multiple reports both from MacRumors readers and on Twitter.

Apple has promoted ‌Apple Music‌ in similar ways in the past, offering free trial extensions to those who previously signed up for ‌Apple Music‌.

Apple recently purchased PullString, a San Francisco startup that enables the design and publishing of voice apps through its PullString Converse platform, reports Axios.

PullString could be used to improve the voice capabilities of Siri, Apple's personal voice assistant.

On its website, PullString says that it can be used to "collaboratively design, prototype and publish voice applications for Amazon Alexa."

At PullString, we strive to help people talk effortlessly with voice technology that surrounds us. Working at the intersection of creative expression and artificial intelligence, we provide agencies and enterprises with the leading solution to collaboratively design, prototype, and publish highly engaging voice applications for Amazon Alexa, Google Assistant, and IoT devices.

According to Axios, PullString was founded in 2011 by former Pixar executives and when it was first started, was used to create interactive voice apps for toys.

The company broadened its horizons over the years, though, following the introduction of products like Amazon Echo and Google Assistant.

Apple has not officially confirmed the acquisition and details about the purchase price are not available.

Apple is planning to release AirPods that feature a new surface coating, wireless charging, and a black color option, according to a report from Taiwanese Economic Daily News.

Apple supplier Inventec has been manufacturing the new AirPods and is ready to ship them in the spring, perhaps alongside the AirPower, which is now in mass production.

The information shared by the Taiwanese publication matches up with rumors that we heard earlier this week from MySmartPrice.

That rumor suggested both the AirPods and the Charging Case will be available in black and white, with the updated accessory to get a special matte coating that will "enhance grip."

We still don't know exactly when the AirPods are going to be released. Apple is holding an event on March 25, but it will focus on services and not hardware.

Apple could choose to release updated AirPods and perhaps the ‌AirPower‌ right around that time via press release rather than through a dedicated event.

Apple today shared a new "Bokeh'd" video on its YouTube channel, which highlights the Depth Control feature on the iPhone XS, XS Max, and XR.

In the spot, a group of mothers are looking at photos, when one notices that her son has been blurred out in the background of an image. "Did you bokeh my child?" she asks, while the other mother attempts to explain that it was accidental.

Depth Control on iPhone XS and iPhone XR lets you adjust the bokeh effect on backgrounds before or after you shoot. So you can turn a cute portrait of two kids into a stunning portrait of one kid.

Introduced in the new 2018 ‌iPhone‌ lineup, Depth Control is designed to allow you to control the amount of blur in the background of your images. When taking a Portrait Mode image, you can adjust it before or after capturing it to change how much background blur is used.

This feature is limited to the 2018 ‌iPhone‌ lineup and isn't available on older iPhones.

If you've deleted your DMs, they may be unavailable on your phone and on the web, but Twitter is still saving them, according to data from security researcher Karan Saini that was shared today by TechCrunch.

Twitter also keeps direct messages and data sent to and from accounts that have either been deactivated or suspended, according to Saini, who discovered years-old messages in a file from an archive of data from an account that was no longer active.

A bug in a now-deprecated API used to allow him to get direct messages even after a message was deleted by both sender and recipient.

Twitter says that accounts that are deactivated and deleted are removed along with all of their data after 30 days, but TechCrunch found that's not the case.

But, in our tests, we could recover direct messages from years ago -- including old messages that had since been lost to suspended or deleted accounts.

Twitter lets you download all of the data associated with your account, even a suspended or deactivated account, which lets you see everything that the company is storing.

Saini told TechCrunch this is a "functional bug" that lets people bypass Twitter mechanisms to prevent access to these kind of accounts, but as TechCrunch points out, it's also a reminder that delete doesn't mean delete when it comes to direct messages.

Twitter told TechCrunch that it is "looking into this further to ensure we have considered the entire scope of the issue."

iPhone XS Max users experience more than two times faster real-world LTE data speeds as ‌iPhone‌ 5s users on average in the United States, according to OpenSignal, although there are caveats to consider.

OpenSignal says it measured speeds on hundreds of thousands of iPhones across the United States from October 26, 2018 to January 24, 2019 and found that ‌iPhone‌ XS Max users experienced an average LTE download speed of 21.7 Mbps compared to just 10.2 Mbps for ‌iPhone‌ 5s users.

‌iPhone‌ XS users saw an average LTE download speed of 17.6 Mbps, while ‌iPhone‌ 6 through ‌iPhone‌ 8 Plus users posted average LTE download speeds of between 15.6 Mbps and 17.1 Mbps, as measured by OpenSignal.

OpenSignal attributes the faster data speeds on newer iPhones to improved modems and antenna designs in those devices, such as 4x4 MIMO support in the ‌iPhone‌ XS and ‌iPhone‌ XS Max compared to 2x2 MIMO on older iPhones, but the results are also likely influenced by socioeconomic factors.

Someone who is still using an ‌iPhone‌ 5s in 2019 could be a price-conscious consumer who is unable to justify the cost of upgrading to a newer ‌iPhone‌, for example, while relying on a discount carrier with inferior wireless coverage or capped data speeds compared to major carriers such as Verizon and AT&T.

That said, while the results may be somewhat skewed, a newer ‌iPhone‌ should be able to achieve faster data speeds than an older ‌iPhone‌, assuming it's connected to a cellular tower with the latest LTE equipment.

Last August, Apple Music was updated with a new section in Browse curated by Deutsche Grammophon, one of the biggest classical music labels in the world. While classical music fans welcomed the specific focus of the area, many of our readers quickly pointed out the numerous issues that remain for classical listeners on a daily basis within ‌Apple Music‌, and the fact that they've been there since the launch of the service with seemingly no correction in sight.

To help break down and highlight these problems, we reached out to a few experts in the classical music field, including professor Benjamin Charles, who wrote a blog post about his frustrations with streaming music services last October. We also spoke with Franz Rumiz, a classical music fan whose article "Why Apple Music fails with classical music" struck a chord with the community in early 2017.

Frustrations with classical music streaming are nothing new, but as Charles tells us, this is a problem that affects nearly every streaming music service, including ‌Apple Music‌ rival Spotify. In an effort to find out exactly what's wrong with classical music on ‌Apple Music‌ -- and what steps could be taken to address these problems -- we asked Charles and Rumiz to detail the biggest issues with classical music on ‌Apple Music‌.

The Problems

Classical music is treated as a single genre

When you tap on "Genres" in ‌Apple Music‌'s Browse tab, you're treated with a list of over 30 styles of music, from Alternative and African Music to Christian, Electronic, K-Pop, and Metal. This is where classical music fans have to visit to find their favorite music, within the singular "Classical" genre section.

For Charles, this is the first in a long line of problems. The section spans centuries, including all of the notable composers like Mozart (born 1756, died 1791), Maurice Ravel (b. 1875, d. 1937), and John Cage (b. 1912, d. 1992), but this grouping is frustrating for classical music aficionados, given how little these musicians have in common among one another.

Charles: "...We’re treating around 300 years of music from various countries, forms, philosophies, and so on as one genre. As far as modern commercial music, we don’t group the past 50 years together: can you imagine how strange it would be to group LL Cool J, Metallica, and The Spice Girls together? These are all artists that were popular in the 90s; beyond that, they have virtually nothing in common. Grouping together Mozart, Ravel, and Cage makes even less sense."

Rumiz: "The sorting of recordings follows the rules of pop & rock genre. For classical music this doesn’t fit at all, because you very often want to compare different recordings of the same pieces by the same composer with different soloists, orchestras and conductors. It is very complicated and sometimes impossible to sort and find recordings by these categories."

Classical music wasn't designed to fit in modern album templates

Streaming classical music on a service like ‌Apple Music‌ forces the expansive art form into a strict, boundary-ridden template. Because of this, numerous aspects of the music are truncated in a way that deflates their impact, particularly for anyone without existing knowledge of classical recordings.

Charles says that one aspect of classical music that's mixed up in the shuffle is the listener's interest in a piece's composer versus its performer. While some artists, like Leonard Bernstein, both compose and perform their music, Charles questions how ‌Apple Music‌ determines the best recording for a piece of music: "Is a recording more significant because it is composed by Bach, or is it more significant because it is performed by Glenn Gould?"

Further complicating matters, orchestral recordings introduce both the conductor and orchestra as contributors, essentially breaking any possibility for these pieces to be read and seen within the boundaries of a modern album format. With concerti, the soloist, composer, and orchestra also need credit.

This results in albums with names like "Prokofiev: Piano Concerto No. 3 in C Major, Op. 26 - Ravel: Piano Concerto in G Major, M.83; Gaspard de la nuit, M. 55," credited to "Martha Argerich, Berlin Philharmonic & Claudio Abbado."

Not only is this far too much information to read clearly in ‌Apple Music‌, but the app's basic UI functions fail to provide links to every credited artist, making further classical music discovery a frustrating endeavor. In the above example, the link for "Martha Argerich, Berlin Philharmonic & Claudio Abbado" directs listeners only to Martha Argerich's ‌Apple Music‌ profile page.

Charles: "That is a lot more difficult to follow than The Wall by Pink Floyd. Clicking the performer’s name in this case links you to more Martha Argerich recordings—what if you’re curious to hear more of the Berlin Philharmonic or Claudio Abbado? (And I won’t even bother going into the complications that come with identifying an opera cast.)

In short, classical music was not designed with the album format in mind. Some pieces are substantial enough that they could fill up an entire album (Mahler’s Symphony No. 5 comes to mind); some are even so long that they would exceed the length of a traditional album (Steve Reich’s Drumming comes to mind). Some are also less than a minute long (Bach Two Part Inventions come to mind)"

On that note, Rumiz points out that classical music playlists are essentially nonsense. This is because each playlist takes in arias and overtures from various operas, completely disrupting the ordered way that classical music is intended to be listened to. This happens in playlists like Apple's "Essentials" for composers like Richard Wagner, and in mood playlists designed for studying or relaxing.

Rumiz: "Again Apple offers something for their mainstream audience which doesn’t fit the genre. I don’t want to hear just one part of a symphony, I want to listen to the whole thing! The same applies to classical music radio."

Siri isn't very helpful

Because of these wordy titles, any voice-enabled features touted by Apple and found within ‌Apple Music‌ are much harder to use for classical music fans.

As Charles bluntly puts it, "Can you imagine: 'Hey Siri, play the third movement of Prokofiev's Piano Concerto No. 3 from the album Prokofiev: Piano Concerto No. 3 in C Major, Op. 26 - Ravel: Piano Concerto in G Major, M.83; Gaspard de la nuit, M. 55 by Martha Argerich, Berlin Philharmonic & Claudio Abbado."

In our tests, simply stating "Hey ‌Siri‌, play Prokofiev's Piano Concerto" did lead to ‌Siri‌ playing the correct concerto in the correct order, but as with all things ‌Siri‌, the command was not consistently reliable. The proclivity toward the use of foreign language titles for some pieces, and the acceptance of English versions of the same titles, also regularly stumps ‌Siri‌.

"Sometimes we use English titles, sometimes we use foreign language titles; 'The Rite of Spring' and 'Le Sacre du printemps' seem to be used equally to describe the same piece," Charles explains.

There are breaks between each track

Rumiz's biggest issue with classical on ‌Apple Music‌ is the breaks that happen between tracks in recordings (this frustration originally led Rumiz to write his Medium post on the topic). For any classical piece that is through-composed (music intended to be played from beginning to end in one continuous stream), ‌Apple Music‌ interrupts the fluidity of the piece by placing a break of ~1 second between each track.

Rumiz does point out that Apple has removed these breaks from many recordings over the years, but it isn't solved for all recordings.

Rumiz: "I find these breaks in the middle of a thrilling, highly emotional classical symphony to be annoying — they are destroying the concentration and pleasure of the listener."

There is a large barrier to entry for new listeners

This is Charles' biggest problem with classical on ‌Apple Music‌. Although the browsing and playback experience can be awkward, the music professor ultimately notes that his background and education in the subject help him navigate ‌Apple Music‌'s less-than-stellar classical music selection with some ease. If you're on the other end of that spectrum, trying to get into the genre and navigating 300+ years of music on ‌Apple Music‌, it's "effectively impossible."

Charles is understandably disappointed in the lack of education and forethought put into classical selections on ‌Apple Music‌. There are no program notes, select few pieces of biographical information, and no guidance when navigating among composers. Despite the music having thorough research readily available, ‌Apple Music‌ ditches all interconnections between notable composers in favor of static tabs of music lists.

Charles: "So in short, classical music is left to an exclusive crowd of enthusiasts that already know what they are looking for. Apple prides itself on making devices and services with user interfaces that anyone can use, yet classical music remains locked in a vault for the select few that already know it inside and out."

There's a lack of legitimacy

As an extension of the previous grievance, ‌Apple Music‌'s Beethoven page lacks a link to the composer's spiritual successor, Brahms, but it does provide a link to an artist named "Chopin." Unfortunately, this is not the Polish composer, but a rapper who appeared on a hip-hop song named "Circumstance," which was released in 2018. "Even if it did link to the correct Chopin, there are far more relevant composers to link to," Charles points out.

Furthermore, Apple populates composer pages with songs from albums and playlists that don't necessarily paint these artists in a respected light. Beethoven's "Top Songs" include songs from albums like "The World's Most Beautiful Wedding Music," "Classical Music for Power Pilates," and "Exam Study." While relevant to each of these activities, Apple's decision to push these results higher on the page above more reputed collections "sends strong signals of a lack of legitimacy in the classical music world," Charles argues.

The Solutions

Build better composer pages and offer more categories

This would be feasible, since Apple just last year updated the artist pages across ‌Apple Music‌ with new profile picture designs, new featured albums, album reorganization, and a "play all" button. Although composers and their works are inherently more complex, Charles points out that some already have their own identification systems, including the Bach-Werke-Verzeichnis (BWV) catalog for Bach and the Köchel (K) catalog for Mozart, which have the potential for streamlined integration into ‌Apple Music‌.

In the same vein, Rumiz says more categories would do wonders for expanding the ease-of-use of classical on ‌Apple Music‌, by offering more complex categories like "soloist" and "conductor," instead of following the rules of pop and rock music where songs only have one artist. While this would be a big task for Apple, Rumiz notes that it will be "necessary if they want classical music fans to continue using ‌Apple Music‌ on the long run."

Fix irrelevant recommendations

In a simpler and easier solution, Charles hopes Apple can more intelligently guide users to important and noteworthy composers, pieces, and musicians, that actually have relevance to one another. No more erroneous "Chopin" pages and "Ode to Joy" recommendations found within Power Pilates playlists.

Make it smarter and hire a human curator

Overall, Charles is hoping for Apple to boost the intelligence of its classical music section on ‌Apple Music‌. To start, he recommends Apple hire a musicologist whose job it would be to personally back the rejuvenation of the classical music features on the service. This would be just like most other sections of ‌Apple Music‌, where algorithms are backed and double-checked by human editors, like Arjan Timmermans's role as Apple Music's "Head of Pop."

This includes adding program notes that would enhance the listener's understanding of classical music, so that they're actually taking part in digesting and understanding the composition and not just passively listening. Charles explains the importance of knowing a piece's real-world history: "Berlioz's Symphonie Fantastique is a great example: it features a story (loosely based on the composer's own life) of an artist obsessing with a love interest, taking opium, and murdering his beloved in a drug-induced trip. This sort of thing kind of changes how you hear a piece!"

Charles: "Effectively, the service should offer somewhat of a university-style music appreciation course for the average listener."

Acquire a company that does most of this already

In a move that would make sense given Apple's history, Apple could also simply acquire a company that's doing most of these things already, and implement the technology within an update to ‌Apple Music‌. Charles pointed me toward the Berlin Philharmonic's Digital Concert Hall [Direct iTunes Link], a classical music streaming service that has live and on-demand concerts (up to 40 each season), hundreds of archived recordings covering five decades, composer interviews, documentaries, artist portraits, and a family-friendly education program that dives into the history of each piece.

While the Digital Concert Hall mostly lacks simple music streaming, if Apple made a deal with Berlin Philharmonic, the service's features would greatly boost classical music offerings on ‌Apple Music‌.

Rumiz doesn't recommend an outright acquisition, but he does point towards a company and service that is already leagues ahead of Apple in the classical music field: IDAGIO [Direct iTunes Link]. This service costs $9.99/month and focuses solely on classical music. While some important recordings are missing and require him to return to ‌Apple Music‌ or Spotify, Rumiz says that IDAGIO's usability and interface are far better than ‌Apple Music‌, eliminating many of the frustrations classical fans have with streaming services.

Boost the video offerings

According to Rumiz, a well-organized and fully featured suite of classical video content "could be an important selling point" for a streaming service intent on gaining more classical fans. Apple has a few of these, offering background interviews with artists, but Rumiz points toward YouTube Music as the current leader in this category, since it offers full recordings of concerts and operas.

The Future

In the end, Apple -- and Spotify, Google, Amazon, etc. -- have a tricky battle ahead of them if and when they decide to address the issue of classical music on streaming services. "It doesn't seem to be a business priority [for Apple]," Charles admits, and in the current scheme of things, the company's focus on pop and hip-hop in ‌Apple Music‌ is logical from a financial standpoint.

But that doesn't change the fact that there are millions of classical music fans willing and ready to pay the company that can get these things right. "This is a completely untapped market," Charles tells me. "One streaming service could completely own the classical music audience if it wanted to."