Apple's next iPhone won't be until late 2016, but should come with a new design.
First Reviews of Ashton Kutcher's 'Jobs': Entertaining But Safe, "Fails to Think Different", Apple Fans Will Be Very Mixed
A biopic about a great man that's way too aware of his greatness, jOBS tells us a lot about the genius of Steve Jobs, but doesn't show us much of anything that actually reveals it.The Next Web
But, overall, jOBS works. The lead actors are likable and appear to have put serious effort into getting the spirit of the characters right. The film looks (mostly) good aside from some of what could likely be ascribed to budgetary constraints. And though the director is a tad indulgent here and there, it doesn’t take away from the overall feeling of ‘decent’ that I came away with.The Verge
As expected, there are some liberties taken with Apple’s story and even / especially the representation of some characters — but the emotional resonance of Steve Jobs himself is convincing. It’s not revisionist history, and it’s not some greater parable about the human spirit. Jobs is a point-A-to-point-B story about a uniquely innovative thinker and ruthless businessman — one that had a notable and meaningful impact on the world. It’s a good film, but it’s also very “safe” — a familiar story that doesn’t try for a bigger picture.CNET
Others will write of the things "jOBS" omits, gets wrong, or simply avoids. My primary disappointment was in how shallow the film felt, given the extensive historical record. In the early days Jobs' co-workers had to wrestle with a man who smelled bad, who cried often, who yelled constantly, who missed deadlines, who overspent his budget by millions. He did it in service of products we love and use daily, and yet his obsessions took a toll on those around him. He also inspired others to do the best work of their lives, pushing themselves further than they ever imagined they could go. There is great drama to be found in all that, but it is not to be found in the saccharine "jOBS."Other reviews are available from The Hollywood Reporter, Slashfilm, Indiewire, and the Salt Lake Tribune.