Following a lengthy lawsuit that pitted Sirius XM Radio against members of classic rock band The Turtles in a fight over royalties for music recordings made before 1972, new class action lawsuits have been filed against Apple, Sony, Google, and Rdio over their streaming music services (via The Recorder). As noted by Law360, Beats Music has also been hit with a suit.
According to the suits, filed yesterday by Zenbu Magazines Inc., streaming services like iTunes Radio, Beats, and Google Play Music have been making money off of pre-1972 music recordings without paying any royalties to the owners of the original recordings.
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Zenbu owns the copyrights to many songs in question and is represented by The Law Office of Jack Fitzgerald in San Diego. The lawsuit seeks to create a certified "class of all owners of recordings made before February 15, 1972, whose recordings appear on streaming services."
While musical compositions have been protected under U.S. copyright law since 1831, sound recordings were only added to the federal copyright act in 1972. That's meant that the holders of copyrights to pre-1972 compositions—largely music publishers—have been paid royalties for public performances while those holding the copyrights to recordings—largely record labels—have not.
As noted by The Recorder, last year a judge in Los Angeles decided to extend ownership rights for pre-1972 recordings to include public performances. Similarly, in that case of Sirius XM versus owners of the sound recordings made by The Turtles in the 1960s, U.S. District Judge Philip Gutierrez ruled against Sirius.
The lawsuits come at a time when Apple is working behind the scenes for an upcoming relaunch of the Beats Music streaming service, rumored to include integration into iTunes and iOS in general. "The streaming services don't have a good idea of what their total liability is going to be," noted Santa Clara law professor Tyler Ochoa, with the lawsuits against the numerous streaming music services "inevitable", following the Sirius XM case.
Due to the growing popularity of streaming services worldwide, Ochoa sees some of the companies perhaps pulling those pre-1972 songs to avoid further liability, with record labels falling in line with their own lawsuits against the services for better royalty deals.
Top Rated Comments
But that would be hard to imagine: e.g. the entire Beatles catalogue!
My thoughts about music made before 1972, though, is that recording equipment was pretty horrible. I can't stand listening to anything recorded before the mid 80's, and even as late as '02 some artists were still using horrible equipment to record.
???
That's all a very personal opinion.
Personally, I have a very hard time listening to modern day, all electronic music, especially on headphones. Horrible, at least to my ears!
I'd prefer lo-fi sixties recordings of real instruments with tape hiss and all, any time.
My thoughts about music made before 1972, though, is that recording equipment was pretty horrible. I can't stand listening to anything recorded before the mid 80's, and even as late as '02 some artists were still using horrible equipment to record.
Are you serious? You should listen to some gold old Blue Note recordings, for starters, or Muddy Waters' simply INCREDIBLE sounding album "The Folk Singer" (with a nice equipment it sounds as if he's playing next to you in your living room), and discover how they put almost everything recorded to day to shame, especially in times of the loudness war.The USA has rules around date of publication that bestow copyright for 95 or 120 years and those lengths have been growing as fast as time has passed. Projecting forward corporate assets like movies will likely receive infinite copyright protection.
It keeps growing, because Disney has enough Congressmen in their pocket.
Copyright terms always seem to get extended, just before their copyright on Mickey Mouse is about to expire.
How Mickey Mouse Keeps Changing Copyright Law (http://artlawjournal.com/mickey-mouse-keeps-changing-copyright-law/)
The original length of copyright in the United States was 14 years (http://en.wikipedia.org/wiki/Copyright), and it had to be explicitly applied for. If the author wished, they could apply for a second 14‑year monopoly grant, but after that the work entered the public domain, so it could be used and built upon by others.
Now it's been extended so many times that copyrights now last almost as much as the average life span in modern countries and the fact that works should be public domain after the copyright period is over is something that most people don't even know about.
In Canada copyright is now life of the author plus 50 years.
In the UK and USA it's life plus 70.
The USA has rules around date of publication that bestow copyright for 95 or 120 years and those lengths have been growing as fast as time has passed. Projecting forward corporate assets like movies will likely receive infinite copyright protection.
I think copyright should be based solely on public release. If you never make it public then it's the property of you and your heirs forever. The moment you exhibit or sell your work the clock starts ticking and you've got X years to make something from it. Whether you're alive or dead when that X years is up should be irrelevant.
I think X should be approximately 40 years, but I'm willing to listen to reasons why it should be longer/shorter.
Copyright should last for the lifespan of the author... At least.
When it is in the 'public domain' people will then start using it to make a profit, without returning anything back to the person that created it. It's only fair that as long as they're alive they should receive some recognition for their work.
The exception to this would by movies, which have dozens of investors and creators and cost tens of millions of dollars to make. Then a specific period (say, 50 years) should be in effect. Given that it takes most films 20+ years to make a profit (if they ever do), that gives them a reasonable period to make money and would likely cover the lifespan of most of the creators.
If they have to pay royalties retroactively I think it will be messy and some of the providers will emerge from the mess better than others.
I have approximately 13,000 music tracks in my library. Roughly 8% are 1972 or earlier. A few of my all-time favorites are from that era.
If it came to be that older tracks were no longer streamed (lately I'm mostly using iTunes Radio) it wouldn't ruin the experience, but I do think I would notice the absence of certain familiar and popular tracks.
I anticipate money will change hands and this will eventually get sorted out.