Travel photographer Austin Mann usually performs an in-depth review of new iPhone models to test their camera performance in real-world scenarios. To test Apple's new iPhone 12 Pro, Mann traveled to Glacier National Park, Montana.
Mann focused on some of the biggest camera upgrades with the iPhone 12 Pro, including the upgraded Wide lens, Ultra Wide Night mode, and LiDAR autofocus, across a range of conditions and environments.
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The upgraded 26mm Wide angle lens with a f/1.6 aperture performed better in low light, according to Mann. In a 30-second exposure shot with almost no visible light (above), he found that Night mode and the Wide lens worked extremely well together.
When investigating the new seven-element Wide lens for better edge-to-edge sharpness, Mann shot images with lots of detail in the corners of the frame, but did not see better results than on the iPhone 11 Pro.
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On the other hand, Mann observed that Night mode on the Ultra Wide lens significantly improved low-light performance. Where the iPhone 11 Pro's Ultra Wide lens produced a mostly black frame that was full of noise, the iPhone 12 Pro delivered an immeasurably improved clear image.
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He found that the low-light improvements to the Ultra Wide also made indoors photography with the lens much more viable and crisp.
Mann noted reasonable improvements with Smart HDR 3, but the more striking difference was seen in taking portraits with Night mode. After sunset with very little available light, the computational improvements of better OIS, faster ISO, and LiDAR, allowed the portrait to remain surprisingly color accurate and sharp.
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Mann found that the LiDAR Scanner significantly improved low-light portraits, with the focus locking to the subject's face and creating an accurate depth map where needed.
Elsewhere, Mann praised a range of minor software improvements. In particular, he appreciated that it is now possible to lock exposure adjustment without it reverting to auto mode every time a picture is captured or when switching between lenses. This allows the iPhone 12 Pro to behave much more like a manual camera.
See Mann's full report for more images and additional information about the technical capabilities of the iPhone 12 Pro's camera setup.
Top Rated Comments
That night mode portrait shot does not look good.
If it was taken without the flash, it's an insane achievement.It’s awful. Shouldn’t have been included like this.
Almost any phone would have produced a black mess.Almost any phone could have taken those photos
You do know that that picture is shot in pitch black night.That night mode portrait shot does not look good.
In his article he explained a bit more. While it would be an insane achievement, as I posted earlier, for this to be a straight portrait night mode shot, it's still impressive. On a tripod it would have been even better. The camera system, as a whole, in the iPhone 12 Pro, seems to be doing some amazing things.You do know that that picture is shot in pitch black night.
I like to push my gear to the extremes… and knowing others would likely be testing Night mode in urban environments with some available light, I decided to really push the capabilities of Night mode portraits. I shot this portrait of Esther about forty-five minutes after sundown, and it was overcast, so there was very little available light. (To give you an idea, we had to use a flashlight to see our path.)
This Portrait mode w/ Night mode 3-second exposure was shot with the iPhone 12 Pro in my right hand. Simultaneously, in my left hand, I held my iPhone 11 Pro and used the light emitting from the screen (not the flash) as an off-camera fill light for Esther’s face.