Apple's Beats brand in April unveiled the Powerbeats Pro, a redesigned wire-free version of its popular fitness-oriented Powerbeats earbuds.
Trent Reznor Shares his Thoughts on Apple Music: 'The Experience is What Matters'
Following Tuesday's launch of Apple Music, Nine Inch Nails frontman Trent Reznor spoke with music site Pitchfork about his thoughts on the service and his role in its development. Reznor joined Apple in 2014, following the company's acquisition of Beats Music, where Reznor served as Chief Creative Officer.
Ahead of the Apple Music launch, rumors suggested Reznor was leading development of the service alongside Jimmy Iovine, playing a major role in the redesign of the new Music app.
Image of Trent Reznor via Pitchfork
According to Reznor, his role in the creation of Apple Music shifted over time. While he initially worked on design alongside Apple's design team and iTunes engineers, he shifted to concentrating on marketing in recent months, helping to explain the service and Apple's goals to artists.
Reznor compared his experience working with Apple to his experience working at Beats Music before the acquisition, calling Apple a "respectful, collaborative environment" with ideas that fit into his own thoughts on music.
Released yesterday, Apple Music has a deep focus on curated content. The new Music app delivers recommendations based on personal tastes and playlists created by editors, while the accompanying Beats 1 radio features all music chosen by DJs like Zane Lowe.
Reznor's full interview, which includes additional details on his role in the development of Apple Music, his thoughts on music, and Apple's aim with the new service, is available at Pitchfork and well worth a read.
Ahead of the Apple Music launch, rumors suggested Reznor was leading development of the service alongside Jimmy Iovine, playing a major role in the redesign of the new Music app.
According to Reznor, his role in the creation of Apple Music shifted over time. While he initially worked on design alongside Apple's design team and iTunes engineers, he shifted to concentrating on marketing in recent months, helping to explain the service and Apple's goals to artists.
Reznor compared his experience working with Apple to his experience working at Beats Music before the acquisition, calling Apple a "respectful, collaborative environment" with ideas that fit into his own thoughts on music.
When I sat down with the people at Apple, I found a very respectful, collaborative environment that wanted to take some of the tentpoles that mattered to us at Beats Music, which really was trying to make an experience that didn't feel like data. Something that felt organic and respectful to music rather than just, "We're just delivering assets to your mobile device." They treated music in a way that put an emphasis on curation and taste.In earlier interviews, Reznor suggested that no streaming service had hit "the right formula" before Apple Music, a sentiment that he again shared with Pitchfork. With endless music available at our fingertips, he believes the experience is the most important aspect of any streaming service. With Apple Music, the goal was to improve upon the impersonal, "less than optimal" experience being offered by competitors.
What we tried to do with Apple Music is make the experience around the catalog feel like people that love music have touched it in the various ways it gets presented to you: playlists that noticeably feel better, radio stations that were programmed by people, recommendations that feel less like a computer and more like someone made you a mixtape and you like their taste.Apple Connect, Apple's social networking service, was also developed to improve the listening experience by introducing tools to let artists share music and video that "lives outside the paywall." Apple wanted to give artists a way to be involved in the way music is consumed. "We wanted to create a place where the people making the art could feel like they could have a center," Reznor said.
Released yesterday, Apple Music has a deep focus on curated content. The new Music app delivers recommendations based on personal tastes and playlists created by editors, while the accompanying Beats 1 radio features all music chosen by DJs like Zane Lowe.
Reznor's full interview, which includes additional details on his role in the development of Apple Music, his thoughts on music, and Apple's aim with the new service, is available at Pitchfork and well worth a read.
Tag: Apple Music Guide
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52 months ago
Music is not about an experience.
Music is about quality.
It's both.
If I just want quality I don't need a streaming service, and if I just want experience I'll listen to the radio.
Experience is the back-end buzzword that companies use when they are trying to sell rip-offs.
Not Apple, that's for sure. There are lot of bugs with AM, but the service is still solid.
There is almost no music of quality that has been produced in the last twenty years. Therefore, people are content to stream it for free rather than pay for it.
You have probably been living under a rock then. This is just laughable.
Hint: mainstream is not everything!
52 months ago
MEMO TO MR. REZNOR:
Music is not about an experience.
Music is about quality.
Experience is the back-end buzzword that companies use when they are trying to sell rip-offs.
There is almost no music of quality that has been produced in the last twenty years. Therefore, people are content to stream it for free rather than pay for it.
Writing good music is hard. It may be that good music has died a natural death, in which case, no amount of curation will save it. In the event that it hasn't died yet, we are in a moribund period, and are waiting for it to re-ignite.
There is almost a 100% chance that it won't in the current quality-hostile climate, however. Why? Because musicians aren't paid enough. Not nearly enough.
When musicians are paid Tim Cook's wage, and he is relegated to his rightful position as a drone administrator and paid accordingly, then, and only then, will music once again flourish.
Music is not about an experience.
Music is about quality.
Experience is the back-end buzzword that companies use when they are trying to sell rip-offs.
There is almost no music of quality that has been produced in the last twenty years. Therefore, people are content to stream it for free rather than pay for it.
Writing good music is hard. It may be that good music has died a natural death, in which case, no amount of curation will save it. In the event that it hasn't died yet, we are in a moribund period, and are waiting for it to re-ignite.
There is almost a 100% chance that it won't in the current quality-hostile climate, however. Why? Because musicians aren't paid enough. Not nearly enough.
When musicians are paid Tim Cook's wage, and he is relegated to his rightful position as a drone administrator and paid accordingly, then, and only then, will music once again flourish.
52 months ago
It's a shame, because not one person I know thinks the UI/UX is remotely nice to use. Not to mention recommendations that are completely way off what people want/expect to see.
52 months ago
Tried my hardest to give it a good try today. Didn't work. Lots of minor things here and there, the worst complaints being about the long load times for songs and the terrible statusbar color/blending.
52 months ago
MEMO TO MR. REZNOR:
Music is not about an experience.
Music is about quality.
Experience is the back-end buzzword that companies use when they are trying to sell rip-offs.
There is almost no music of quality that has been produced in the last twenty years. Therefore, people are content to stream it for free rather than pay for it.
Writing good music is hard. It may be that good music has died a natural death, in which case, no amount of curation will save it. In the event that it hasn't died yet, we are in a moribund period, and are waiting for it to re-ignite.
There is almost a 100% chance that it won't in the current quality-hostile climate, however. Why? Because musicians aren't paid enough. Not nearly enough.
When musicians are paid Tim Cook's wage, and he is relegated to his rightful position as a drone administrator and paid accordingly, then, and only then, will music once again flourish.
Get that busch league nonsense out of here.
Edit: Seriously, do you even listen to music?
52 months ago
I like it in general but the UI is definitely more confusing than Spotify. Things aren't intuitive like the difference between iCloud Music Library, My Music, Available Offline, Radios, Stations... Connect doesn't seem to have much going on unless I'm not using it properly. Then where is iTunes and iTunes Match supposed to fit into all this? Maybe they should have reset the whole music experience to simplify things.
Another (smaller) complaint is that Apple Music seems to be forcing too much new or obscure tracks on me (For You / Radio) when I usually just want to listen to the stuff I'm used to and the stuff that's popular.
Apart from this I'll keep using it, the huge bonus over Spotify is that its woven into the rest of the OS through Siri and my car etc.
Another (smaller) complaint is that Apple Music seems to be forcing too much new or obscure tracks on me (For You / Radio) when I usually just want to listen to the stuff I'm used to and the stuff that's popular.
Apart from this I'll keep using it, the huge bonus over Spotify is that its woven into the rest of the OS through Siri and my car etc.
52 months ago
the UI does need some work thats for sure, but for 1.0 its not to bad.....
This isn't 1.0, it is 12.2. iTunes has been garbage for over a decade now.
52 months ago
Nice speech but the usability of the software has taken a hit and it was pretty poor before hand.
52 months ago
Trent, it appears the user experience you believe this app to have is directly proportional to the money Apple paid you to say it.
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