Alongside today's new marketing push to try to win back professional video editors, Apple has released updates for Final Cut Pro X, Motion, and Compressor. While Motion and Compressor have seen mostly minor tweaks and bug fixes, Final Cut Pro X has received a somewhat more substantial update including support for the new Sony XAVC codec up to 4K resolution.
- Support for Sony XAVC codec up to 4K resolution - Option to display ProRes Log C files from ARRI ALEXA cameras with standard Rec. 709 color and contrast levels - Resolves an issue where some third-party effects generated green frames during render - Resolves performance issues that could occur with certain titles and effects - Time reversed clips render in the background - Ability to use key commands to adjust Clip Appearance settings in the timeline - Ability to view reel number metadata located in the timecode track of video files - Mono audio files in a surround project export with correct volume levels - Drop zones no longer reset to the first frame of video after application restart - Fixes a performance issue which resulted from selecting multiple ranges on a single clip - Fixes an issue where the Play Around function did not work properly on certain clips when viewed through external video devices
- Resolves an issue where some third-party effects generated green frames during render - Resolves performance issues that could occur with certain titles and effects - Fixes a stability issue when splitting layers in the timeline - Fixes an issue where launching a plug-in with a check box could require multiple clicks - Fixes a stability issue with CoreMelt plug-ins
- Removes 1GB file size limit for uploads to Vimeo - Fixes a stability issue when playing back certain MPEG-2 files - Fixes a stability issue in Qmaster when processing multiple jobs
In addition to the updates for the core Final Cut apps, Apple has also released an updated set of ProApps QuickTime Codecs for Final Cut Pro X users.
As a pro using FCPX. It's great to see all these updates (now at 8!) in the last 2 years.
I can honestly say, after being initially skeptical at NAB when it was released, FCPX is the fastest NLE on the market. I can get to the heart of the story and really play around with the edit. It truly is the future of editing.
This is all great and fine. No Mac Pro update aside, the real problem is actually much bigger than just Final Cut. The real problem is the future of quicktime itself.
There is no future for Quicktime on Windows. Apple has discontinued it. There is no Quicktime X for Windows. So how will all the content generated from Apple products be delivered to non-apple platforms - e.g. the other 80% of the computing population? Do I really need to encode an H264 AVI and an H264 MOV going forward for every media file I want people to be able to watch?
And lets not even start about the cluster-F that is quicktimes color handling across platforms. Apple's insistence on not offering a mode where quicktime player doesn't touch color at all is infuriating when you are trying to deliver content to a wide audience. Quicktime puts a wash over the whole thing, and there is no silver bullet fix. So then you get things like the Blend/Straight Alpha workaround, which introduces aliasing in full screen mode, so now your color is better - no perfect - but your content looks terrible.
If Apple is serious about catering to professionals they have a lot of cleaning house to do. At this point they are the cusp of complete abandonment.
With around four months to go before Apple is expected to unveil the iPhone 14 lineup, the overwhelming majority of rumors related to the new devices so far have focused on the iPhone 14 Pro, rather than the standard iPhone 14 – leading to questions about how different the iPhone 14 will actually be from its predecessor, the iPhone 13.
The iPhone 14 Pro and iPhone 14 Pro Max are expected...
The iPhone 14 will feature a more expensive "high-end" front-facing camera with autofocus, partly made in South Korea for the first time, ET News reports.
Apple reportedly ousted a Chinese candidate to choose LG Innotek, a South Korean company, to supply the iPhone 14's front-facing camera alongside Japan's Sharp. The company is said to have originally planned to switch to LG for the iPhone...
Last year's iPhone 13 Pro models were the first of Apple's smartphones to come with 120Hz ProMotion displays, and while the two iPhone 14 Pro models will continue to feature the technology, their screens could well boast expanded refresh rate variability this time round.
To bring ProMotion displays to the iPhone 13 Pro models, Apple adopted LTPO panel technology with variable refresh...
Apple has silently increased the price of its Apple Music subscription for college students in several countries, with the company emailing students informing them their subscription would be slightly increasing in price moving forward. The price change is not widespread and, based on MacRumors' findings, will impact Apple Music student subscribers in but not limited to Australia, the...
Apple is one of several companies that have held talks with Electronic Arts (EA) about a potential purchase, according to a new report from Puck.
EA has spoken to several "potential suitors," including Apple, Amazon, and Disney as it looks for a merger arrangement. Apple and the other companies declined to comment, and the status of the talks is not known at this time, but Apple does have an ...
Sony this week came out with an updated version of its popular over-ear noise canceling headphones, so we picked up a pair to compare them to the AirPods Max to see which headphones are better and whether it's worth buying the $400 WH-1000XM5 from Sony over Apple's $549 AirPods Max.
Subscribe to the MacRumors YouTube channel for more videos. First of all, the AirPods Max win out when it comes ...
Apple on May 16 released iOS 15.5 and iPadOS 15.5, bringing improvements for Podcasts and Apple Cash, the ability to see Wi-Fi signal of HomePods, dozens of security fixes, and more.
Top Rated Comments
As a pro using FCPX. It's great to see all these updates (now at 8!) in the last 2 years.
I can honestly say, after being initially skeptical at NAB when it was released, FCPX is the fastest NLE on the market. I can get to the heart of the story and really play around with the edit. It truly is the future of editing.
-------------------
(3.4GHZ Core i7 iMac, 32GB Ram, 3TB Fusion, 680MX 2GB NVIDIA, R4 Pegasus RAID) x2
There is no future for Quicktime on Windows. Apple has discontinued it. There is no Quicktime X for Windows. So how will all the content generated from Apple products be delivered to non-apple platforms - e.g. the other 80% of the computing population? Do I really need to encode an H264 AVI and an H264 MOV going forward for every media file I want people to be able to watch?
And lets not even start about the cluster-F that is quicktimes color handling across platforms. Apple's insistence on not offering a mode where quicktime player doesn't touch color at all is infuriating when you are trying to deliver content to a wide audience. Quicktime puts a wash over the whole thing, and there is no silver bullet fix. So then you get things like the Blend/Straight Alpha workaround, which introduces aliasing in full screen mode, so now your color is better - no perfect - but your content looks terrible.
If Apple is serious about catering to professionals they have a lot of cleaning house to do. At this point they are the cusp of complete abandonment.