Alongside today's new marketing push to try to win back professional video editors, Apple has released updates for Final Cut Pro X, Motion, and Compressor. While Motion and Compressor have seen mostly minor tweaks and bug fixes, Final Cut Pro X has received a somewhat more substantial update including support for the new Sony XAVC codec up to 4K resolution.
- Support for Sony XAVC codec up to 4K resolution - Option to display ProRes Log C files from ARRI ALEXA cameras with standard Rec. 709 color and contrast levels - Resolves an issue where some third-party effects generated green frames during render - Resolves performance issues that could occur with certain titles and effects - Time reversed clips render in the background - Ability to use key commands to adjust Clip Appearance settings in the timeline - Ability to view reel number metadata located in the timecode track of video files - Mono audio files in a surround project export with correct volume levels - Drop zones no longer reset to the first frame of video after application restart - Fixes a performance issue which resulted from selecting multiple ranges on a single clip - Fixes an issue where the Play Around function did not work properly on certain clips when viewed through external video devices
- Resolves an issue where some third-party effects generated green frames during render - Resolves performance issues that could occur with certain titles and effects - Fixes a stability issue when splitting layers in the timeline - Fixes an issue where launching a plug-in with a check box could require multiple clicks - Fixes a stability issue with CoreMelt plug-ins
- Removes 1GB file size limit for uploads to Vimeo - Fixes a stability issue when playing back certain MPEG-2 files - Fixes a stability issue in Qmaster when processing multiple jobs
In addition to the updates for the core Final Cut apps, Apple has also released an updated set of ProApps QuickTime Codecs for Final Cut Pro X users.
This week marks the 10th anniversary of the Apple Watch, which launched on April 24, 2015. Yesterday, we recapped features rumored for the Apple Watch Series 11, but since 2015, the Apple Watch has also branched out into the Apple Watch Ultra and the Apple Watch SE, so we thought we'd take a look at what's next for those product lines, too.
2025 Apple Watch Ultra 3
Apple didn't update the...
Thursday April 24, 2025 8:24 am PDT by Joe Rossignol
While the so-called "iPhone 17 Air" is not expected to launch until September, there are already plenty of rumors about the ultra-thin device.
Overall, the iPhone 17 Air sounds like a mixed bag. While the device is expected to have an impressively thin and light design, rumors indicate it will have some compromises compared to iPhone 17 Pro models, including only a single rear camera, a...
Wednesday April 23, 2025 8:31 am PDT by Joe Rossignol
While the iPhone 17 Pro and iPhone 17 Pro Max are not expected to launch until September, there are already plenty of rumors about the devices.
Below, we recap key changes rumored for the iPhone 17 Pro models as of April 2025:
Aluminum frame: iPhone 17 Pro models are rumored to have an aluminum frame, whereas the iPhone 15 Pro and iPhone 16 Pro models have a titanium frame, and the iPhone ...
We've known for quite some time about Apple's plans for a thinner "iPhone 17 Air" coming later this year, but wow, the latest dummy models give us our best look yet at just how thin this phone is going to be.
Other Apple news and rumors this week included another iOS 18.5 beta, the 10th anniversary of the Apple Watch launch, and more management reshuffling in Apple's Siri division, so read...
Despite being more than two years old, Apple's AirPods Pro 2 still dominate the premium wireless‑earbud space, thanks to a potent mix of top‑tier audio, class‑leading noise cancellation, and Apple's habit of delivering major new features through software updates. With AirPods Pro 3 widely expected to arrive in 2025, prospective buyers now face a familiar dilemma: snap up the proven...
Apple will likely manufacture its 20th anniversary iPhone models in China, despite broader efforts to shift production to India, according to Bloomberg's Mark Gurman.
In 2027, Apple is planning a "major shake-up" for the iPhone lineup to mark two decades since the original model launched. Gurman's previous reporting indicates the company will introduce a foldable iPhone alongside a "bold"...
Apple has completed Engineering Validation Testing (EVT) for at least one iPhone 17 model, according to a paywalled preview of an upcoming DigiTimes report.
iPhone 17 Air mockup based on rumored design
The EVT stage involves Apple testing iPhone 17 prototypes to ensure the hardware works as expected. There are still DVT (Design Validation Test) and PVT (Production Validation Test) stages to...
Thursday April 24, 2025 2:14 am PDT by Tim Hardwick
If you missed the video showing dummy models of Apple's all-new super thin iPhone 17 Air that's expected later this year, Sonny Dickson this morning shared some further images of the device in close alignment with the other dummy models in the iPhone 17 lineup, indicating just how thin it is likely to be in comparison.
The iPhone 17 Air is expected to be around 5.5mm thick – with a thicker ...
As a pro using FCPX. It's great to see all these updates (now at 8!) in the last 2 years.
I can honestly say, after being initially skeptical at NAB when it was released, FCPX is the fastest NLE on the market. I can get to the heart of the story and really play around with the edit. It truly is the future of editing.
This is all great and fine. No Mac Pro update aside, the real problem is actually much bigger than just Final Cut. The real problem is the future of quicktime itself.
There is no future for Quicktime on Windows. Apple has discontinued it. There is no Quicktime X for Windows. So how will all the content generated from Apple products be delivered to non-apple platforms - e.g. the other 80% of the computing population? Do I really need to encode an H264 AVI and an H264 MOV going forward for every media file I want people to be able to watch?
And lets not even start about the cluster-F that is quicktimes color handling across platforms. Apple's insistence on not offering a mode where quicktime player doesn't touch color at all is infuriating when you are trying to deliver content to a wide audience. Quicktime puts a wash over the whole thing, and there is no silver bullet fix. So then you get things like the Blend/Straight Alpha workaround, which introduces aliasing in full screen mode, so now your color is better - no perfect - but your content looks terrible.
If Apple is serious about catering to professionals they have a lot of cleaning house to do. At this point they are the cusp of complete abandonment.
- Motion [Mac App Store]
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