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Apple Updates Final Cut Pro X, Motion, and Compressor Alongside New Pro Marketing Push

Alongside today's new marketing push to try to win back professional video editors, Apple has released updates for Final Cut Pro X, Motion, and Compressor. While Motion and Compressor have seen mostly minor tweaks and bug fixes, Final Cut Pro X has received a somewhat more substantial update including support for the new Sony XAVC codec up to 4K resolution.

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- Final Cut Pro [Mac App Store]
What's New in Version 10.0.8

- Support for Sony XAVC codec up to 4K resolution
- Option to display ProRes Log C files from ARRI ALEXA cameras with standard Rec. 709 color and contrast levels
- Resolves an issue where some third-party effects generated green frames during render
- Resolves performance issues that could occur with certain titles and effects
- Time reversed clips render in the background
- Ability to use key commands to adjust Clip Appearance settings in the timeline
- Ability to view reel number metadata located in the timecode track of video files
- Mono audio files in a surround project export with correct volume levels
- Drop zones no longer reset to the first frame of video after application restart
- Fixes a performance issue which resulted from selecting multiple ranges on a single clip
- Fixes an issue where the Play Around function did not work properly on certain clips when viewed through external video devices
motionlogo- Motion [Mac App Store]
What's New in Version 5.0.7

- Resolves an issue where some third-party effects generated green frames during render
- Resolves performance issues that could occur with certain titles and effects
- Fixes a stability issue when splitting layers in the timeline
- Fixes an issue where launching a plug-in with a check box could require multiple clicks
- Fixes a stability issue with CoreMelt plug-ins
compressor- Compressor [Mac App Store]
What's New in Version 4.0.7

- Removes 1GB file size limit for uploads to Vimeo
- Fixes a stability issue when playing back certain MPEG-2 files
- Fixes a stability issue in Qmaster when processing multiple jobs
In addition to the updates for the core Final Cut apps, Apple has also released an updated set of ProApps QuickTime Codecs for Final Cut Pro X users.

Top Rated Comments

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17 months ago
if apple really care about the pro users, they can show it with a new mac pro.
Rating: 36 Votes
17 months ago
This is great news!

As a pro using FCPX. It's great to see all these updates (now at 8!) in the last 2 years.

I can honestly say, after being initially skeptical at NAB when it was released, FCPX is the fastest NLE on the market. I can get to the heart of the story and really play around with the edit. It truly is the future of editing.


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(3.4GHZ Core i7 iMac, 32GB Ram, 3TB Fusion, 680MX 2GB NVIDIA, R4 Pegasus RAID) x2
Rating: 28 Votes
17 months ago
That's good. I'd like to see Apple focus more on it's pro users, and maintain that user base and product line.
Rating: 25 Votes
17 months ago
What's the point? I thought everyone already abondoned FCPX? ;)
Rating: 17 Votes
17 months ago
Uggh, release Logic Pro X already. :(
Rating: 17 Votes
17 months ago
This is all great and fine. No Mac Pro update aside, the real problem is actually much bigger than just Final Cut. The real problem is the future of quicktime itself.

There is no future for Quicktime on Windows. Apple has discontinued it. There is no Quicktime X for Windows. So how will all the content generated from Apple products be delivered to non-apple platforms - e.g. the other 80% of the computing population? Do I really need to encode an H264 AVI and an H264 MOV going forward for every media file I want people to be able to watch?

And lets not even start about the cluster-F that is quicktimes color handling across platforms. Apple's insistence on not offering a mode where quicktime player doesn't touch color at all is infuriating when you are trying to deliver content to a wide audience. Quicktime puts a wash over the whole thing, and there is no silver bullet fix. So then you get things like the Blend/Straight Alpha workaround, which introduces aliasing in full screen mode, so now your color is better - no perfect - but your content looks terrible.

If Apple is serious about catering to professionals they have a lot of cleaning house to do. At this point they are the cusp of complete abandonment.
Rating: 11 Votes
17 months ago
Great with renew interest in the pro market I'm assuming the Mac Pros will be here before we know it.
Rating: 11 Votes
17 months ago
Love ya Apple, but you lost me with the update to X. I use to use Automatic Duck to move between Final Cut Pro and AE. Now I just use Premiere & AE. Makes me sad, but it's much easier.
Rating: 9 Votes
17 months ago

Ok, great...Apple continues to create the ability to mix new movie files. Happy for you. Can you generate a proper EDL, Change List, Cut List, Optical Pull List, proper AAF for export to ProTools, proper programs to get your film/TV show ready for the DI? No? ...R-i-g-h-t. Any users out there that want to make a comment...if you have no idea what the hell it is I am talking about, then you have no reason to be posting a reply to my comment.

Sure...this program might work wonders for industrials or small video production houses...maybe wedding videos. And yes...there is maybe 1 program out there that has been publicized as using FCPX and their show is on cable TV. They also keep everything in house and self contained and it is their 1 show that they do.


Really? EDL? Digital Intermediary? How about support for audio export to phonograph cylinders?

Things change sometimes. And that's okay.
Rating: 9 Votes
17 months ago
Finally! Now I can edit 4k movies ready for my 4k AppleTV later this year... ;-)
Rating: 9 Votes

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